When to Use "Continuous" in a Screenplay (And When It’s a Big NOPE)

Screenwriting is all about clarity, but let’s talk about one sneaky little word that trips up even seasoned writers: continuous. It sounds official, right? Like you’re doing your big one? Well, depending on your goals—whether you’re self-producing or trying to win competitions—that word can be your best friend or your biggest headache. Let’s break it down.

What Does "Continuous" Even Mean?

In screenwriting, "continuous" usually pops up in scene headings or transitions, indicating that the action flows seamlessly from one location to the next. Think of it as a way to tell the reader, “We're moving but not skipping time.”

Example:

INT. KITCHEN – DAY

Sarah grabs the knife and rushes toward the door.

INT. HALLWAY – CONTINUOUS

She bursts into the hallway, breathing hard.

Simple, right? But hold up—just because you can use it doesn’t mean you should.

When "Continuous" Works Like a Charm

You’re Self-Producing Your Script

If you’re calling the shots (literally), "continuous" can help your crew visualize how scenes connect. It’s particularly helpful for cinematographers and editors during pre- and post-production.

Why it works:

• Saves time during shot planning.

• Ensures a smooth flow between scenes without unnecessary setup.

If you’re writing for your own indie film, use "continuous" when the action demands it—but don’t overdo it. You’re the boss, but you don’t want to confuse your future self or your crew when you get to break downs and production planning.

When Timing is Critical

Let’s say you’re writing a thriller, and the pacing is tighter than your jeans after Thanksgiving dinner. "Continuous" keeps the adrenaline pumping and the reader glued to the page.

When "Continuous" Is a Hard Pass

Competitions and Studio Pitches

Here’s the deal: Hollywood executives and competition judges are reading dozens of scripts, and they don’t have time for fluff. Overusing "continuous" can make you look like an amateur who’s over-directing the page.

Why it doesn’t work:

• It clutters your script.

• It distracts from your story.

What to do instead: Use implied action. If it’s obvious the scene flows directly into the next, let your writing do the talking.

Better Example:

INT. KITCHEN – DAY  

Sarah grabs the knife and rushes into the hallway.  

INT. HALLWAY  

She stumbles toward the exit, gasping for air.  

Clean. Efficient. Hollywood-approved.

When It’s Obvious

If the flow is clear without the word "continuous," skip it. Your job is to keep the reader immersed in the story, not bogged down by redundant details.

"Continuous" is a tool, not a crutch. Use it when it enhances clarity and pacing, but ditch it when it adds unnecessary bulk. Whether you’re self-producing or aiming for the big leagues, the key is to write smart, intentional scripts that serve your story.

A sharper story is just the beginning. If you're ready to take your standout script all the way from page to production, it’s time to work with a professional who knows the path.

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